"Fractured ‘Gello #2" by Jean M. Judd, Hand Stitched Thread on Commercial Textile
"Fractured ‘Gello #2" by Jean M. Judd, Hand Stitched Thread on Commercial Textile
"Fractured ‘Gello #2" by Jean M. Judd, Hand Stitched Thread on Commercial Textile

"Fractured ‘Gello #2" by Jean M. Judd, Hand Stitched Thread on Commercial Textile

Regular Price $18,300.00 Sale


54.5” x 52.25”

Hand Stitched Thread on Commercial Textile

Original Art Work


Description: After a long hiatus from this series, completion of Fractured ‘Gello #2 brings this series back into the recent arena of completed artworks. Viewers are drawn in to the center of this artwork. It is a flowing together of the individual pieces and stitches which reflects the confluence definition of coming together to one place. There is a natural pull, even from a distance, that brings viewers closer to view the details.

Constructing the ground and fracturing the piece was the smoothest part of the entire process in 2009. Developing the intricate hand stitching design took several years of contemplation with the artwork hanging on my design wall. Finally, in September of 2015, the design concept came to life and required almost 600 hours of intense hand stitching to complete.


Jean M. Judd

Artist Jean M. Judd of Cushing, Wisconsin has been constructing textile artworks for over thirty years incorporating dense hand stitching which gives visual and physical texture to her work. She was born in St. Paul, Minnesota in 1963. She has lived by water her entire life: the Mississippi River in Lake City, Minnesota from 1965 to 1982 and 1986-1991, the Sea of Japan from 1982 to 1986, and the St. Croix River from 1991 to the present where she has her private studio in Cushing, Wisconsin.

Her work includes pieced work using rust pigmentation and non-traditional dyeing techniques and occasionally commercial fabric. More recent work has been using whole cloth construction using her hand dyed, Suminagashi marbled, and dye painted fabrics; incorporating rust pigmentation and architectural ironwork along with her signature hand stitching.

Each piece is unique and starts with an idea from her subconscious and develops as she constructs the artwork. Decisions are made regarding materials, technique, size, and sculptural stitching as the piece develops. Nothing is preplanned so the initial idea may not be even close to what the finished artwork reveals.

The intent of her work is not to be a recognizable, representational image of a specific place, time, or object. The artist’s intent is to bring up feelings, emotions, and contemplation by each viewer of the work. She wants them to slow down, disconnect with the current world, and take time to look at and feel the artwork. What does the work say to the viewer; what connection do they feel to the artwork; what emotion does the artwork bring to the viewer; what personal story can they assign to what they are seeing and experiencing?

Ms. Judd’s work can be found in many private art collections in the United States, Canada, Europe, and South America. She exhibits her award-winning artwork nationally in juried fine art exhibitions. Her work is represented by several fine art galleries in the United States. She is the author of several books describing her processes, artistic philosophy, and experiences with artist residencies.